Time will more and more reveal, I think, that the bad directors are the ones whose visual styles we are required to notice. Go to see Antonioni’s "The Red Desert" on the same bill with Fellini’s " 8 1/2 ," as I once did, and you will feel the difference instantly: Antonioni, so studied, so self-conscious, so painstaking about his plans, creates a movie we can appreciate intellectually, but it bores us. Fellini, whose mastery of the camera is so infinitely more fluid, sweeps us through his fantasies without effort, and we are enthralled.
An exhibition of Goldin's work was censored in Brazil, two months before opening, due to its sexually explicit nature.  The main reason was that some of the photographs contained sexual acts performed near children.  In Brazil, there is a law that prohibits the image of minors associated with pornography.  The sponsor of the exhibition, a cellphone company, claimed to be unaware of the content of Goldin's work and that there was a conflict between the work and its educational project. The curator of the Rio de Janeiro Museum of Modern Art changed the schedule in order to accommodate, in February 2012, the Goldin exhibition in Brazil. 
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